smartfilming

Exploring the possibilities of video production with smartphones

#55 After 7 years of brand loyalty to LG: Why I chose Sony to follow in its footsteps — 12. December 2022

#55 After 7 years of brand loyalty to LG: Why I chose Sony to follow in its footsteps

The first smartphone I ever owned was a Samsung S3 Mini. When I purchased it in 2013 I didn’t really think about the phone’s potential for video production. I just wanted to finally step into the world of touch screen phones with mobile internet, without paying a premium price for an iPhone. It was only after spending some time with the lil’ Samsung that I became more and more interested in seeing the device’s potential for more than just taking calls, browsing the web and snapping some pics. My next phone was, interestingly enough, a Nokia 920 running the Windows Phone operating system. I was very much aware of the sparse app situation on Microsoft’s platform but intrigued by Nokia’s camera hardware (Zeiss lens) and the support for 25fps in the native camera app. Since the WindowsPhone app store didn’t really improve much and it became obvious very soon that the platform was not going to stick around much longer, I kept looking for an Android phone brand that would strike a chord with me.

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#34 Apple is about to give us 25fps in the iPhone’s native camera app (finally catching up to Windows Phones) — 17. November 2020

#34 Apple is about to give us 25fps in the iPhone’s native camera app (finally catching up to Windows Phones)

One of the things that has mostly remained a blindspot in video recording with the native camera app of a smartphone, is the ability to shoot in PAL frame rates, i.e. 25/50fps. The native camera apps of smartphones usually record with a frame rate of 30/60 fps. This is fine for many use cases but it’s not ideal under two circumstances: a) if you have to deliver your video for traditional professional broadcast in a PAL broadcast standard region (Europe, Australia, parts of Africa, Asia, South America etc.) b) If you have a multi-camera shoot with dedicated ‘regular’ cameras that only shoot 25/50fps. Sure, it’s relatively easy to capture in 25fps on your phone by using a 3rd party app like Filmic Pro or Protake but it still would be a welcome addition to any native camera app as long as this silly global frame rate divide (don’t get me started on this!) continues to exist.

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