As I pointed out in one of my very first blog posts here (in German), smartphone videography still comes with a whole bunch of limitations (although some of them are slowly but surely going away or have at least been mitigated). Yet one central aspect of the fascinating philosophy behind phoneography (that’s the term I now prefer for referring to content creation with smartphones in general) has always been one of “can do” instead of “can’t do” despite the shortcomings. The spirit of overcoming obvious obstacles, going the extra mile to get something done, trailblazing new forms of storytelling despite not having all the bells and whistles of a whole multi-device or multi-person production environment seems to be a key factor. With this in mind I always found it a bit irritating and slightly “treacherous” to this philosophy when people proclaimed that video editing apps without the ability to have a second video track in the editing timeline are not suitable for storytelling. “YOU HAVE TO HAVE A VIDEO EDITOR WITH AT LEAST TWO VIDEO TRACKS!” Bam! If you are just starting out creating your first videos you might easily be discouraged if you hear such a statement from a seasoned video producer. Now let me just make one thing clear before digging a little deeper: I’m not saying having two (or multiple) video tracks in a video editing app as opposed to just one isn’t useful. It most definitely is. It enables you to do things you can’t or can’t easily do otherwise. However, and I can’t stress this enough, it is by no means a prerequisite for phoneography storytelling – in my very humble opinion, that is.Read On
If you are reading this, there’s a chance you might at least have heard about a mobile operating system called Windows Phone even though you never came close to owning a device running it. But there’s also a chance you never knew such a thing existed so let me just very briefly recapitulate.
The fact that nowadays pretty much everyone owns a smartphone and shoots video with it has brought a gigantic wave of shaky handheld footage along. While some folks are actually allergic to any kind of shakiness in video, I personally think that depending on the amount and context it can work just fine – but definitely not all the time and under any circumstances. So there is a need to stabilize shaky handheld footage. Now the best thing to get smooth n’ stable footage is to avoid shakiness in the first place while shooting. While there are techniques for shooting (more) stable video handheld, the most common thing would be putting the phone on a tripod (using any kind of rig or clamp for mounting it). But maybe you want to move around a bit? More and more smartphones do have internal stabilization, be it on the hardware side with OIS (optical image stabilization) or on the software side with EIS (electronic image stabilzation). Over the last years there has also been a considerable and increasingly affordable influx of (motorized) gimbals that allow smooth camera movements. But let’s be honest: Unless you’re going to a planned shoot, you probably won’t carry around a tripod or gimbal (if you have one) – as compact as they have become over time, they are still too big and clunky to just put in your pocket. So it’s likely that you will find yourself in situations where you shoot video handheld and want to smooth out some distracting jitter afterwards. While most desktop video editing software has a built-in stabilizer function these days, things don’t look quite as bright on mobile but there are still a few (good) options.Read On