2021-01-05T12:53:59+01:00

#36(0) The Insta360 One X2 – fun & frustration

5. January 202112. December 2021/FR/2 Comments

A couple of years ago, 360° (video) cameras burst onto the scene and seemed to be all the new rage for a while. The initial excitement faded relatively quickly however when producers realized that this kind of video didn’t really resonate as much as they thought it would with the public – at least in the form of immersive VR (Virtual Reality) content for which you need extra hardware, hardware that most didn’t bother to get or didn’t get hooked on. From a creator’s side, 360 video also involved some extra and – dare I say – fairly tedious workflow steps to deliver the final product (I have one word for you: stitching). That’s not to say that this extraordinary form of video doesn’t have value or vanished into total obscurity – it just didn’t become a mainstream trend.

Among the companies that heavily invested in 360 cameras was Shenzen-based Insta360. They offered a wide variety of different devices: Some standalone, some that were meant to be physically connected to smartphones. I actually got the Insta360 Air for Android devices and while it was not a bad product at all and fun for a short while, the process of connecting it to the USB port of the phone when using it but then taking it off again when putting the phone back in your pocket or using it for other things quickly sucked out the motivation to keep using it.

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#35 Using external microphones with iPhones when shooting video

1. December 202012. December 2021/FR/Leave a comment

I usually don’t follow the stats for my blog but when I recently did check on what articles have been the most popular so far, I noticed that a particular one stuck out by a large margin and that was the one on using external microphones with Android devices. So I thought if people seem to be interested in that, why not make an equivalent for iOS, that is for iPhones? So let’s jump right into it.

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#34 Apple is about to give us 25fps in the iPhone’s native camera app (finally catching up to Windows Phones)

17. November 202012. December 2021/FR/6 Comments

One of the things that has mostly remained a blindspot in video recording with the native camera app of a smartphone, is the ability to shoot in PAL frame rates, i.e. 25/50fps. The native camera apps of smartphones usually record with a frame rate of 30/60 fps. This is fine for many use cases but it’s not ideal under two circumstances: a) if you have to deliver your video for traditional professional broadcast in a PAL broadcast standard region (Europe, Australia, parts of Africa, Asia, South America etc.) b) If you have a multi-camera shoot with dedicated ‘regular’ cameras that only shoot 25/50fps. Sure, it’s relatively easy to capture in 25fps on your phone by using a 3rd party app like Filmic Pro or Protake but it still would be a welcome addition to any native camera app as long as this silly global frame rate divide (don’t get me started on this!) continues to exist.

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#33 Auto-transcribe all your audio for free with Live Transcribe!

26. October 202012. December 2021/FR/1 Comment

While writing my last blog post about Google Recorder 2.0, I stumbled upon a hack that can also be utilized for another app from Google, one that currently understands over 70 languages, not only English: It’s called “Live Transcribe & Sound Notifications” and is available for pretty much every Android device. Have you always been looking for a tool that transcribes your audio recordings but doesn’t require an expensive subscription? Here’s what I like to think is a very useful and simple trick for achieving this on an Android phone. You will need the following things:

Android device running at least Android 5.0 Lollipop (if your phone is less than 5 years old, you should be safe!)
the app Live Transcribe & Sound Notifications by Google (free download on the Google Play Store)
an internet connection (either mobile data or wifi)
a quiet environment

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#32 Google Recorder 2.0 – A fantastic update for an already brilliant app!

18. October 202012. December 2021/FR/1 Comment

Not too long ago, I wrote an article about my favorite audio recorder apps for Android. One of the apps I included was Google Recorder. Officially, the app is only available for Pixel phones but can be sideloaded to a range of other Android devices. Google Recorder has a unique place among audio recording apps because of one killer feature: it transcribes audio into text – offline and for free. This can be extremely useful for a lot of people, particularly journalists. With the launch of the new Pixel 5 / Pixel 4a 5G, Google has introduced version 2.0 of Recorder and it packs some really exciting new features and improvements!

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#31 Could this be the future for video stabilization on smartphones?

12. October 202012. December 2021/FR/Leave a comment

I’ve been thinking about getting my first full-frame DSLM camera for some time now, there are a whole lot of very tempting offerings out there. Not one however was able to tick all the boxes that are most important for me – including excellent auto-focus, great battery life, no recording limit and a price tag of around 2k. Very recently, Sony announced the Alpha 7c, Sony’s smallest full-frame camera so far. While the A7c recycles a lot of established components from earlier Sony cameras and received quite a bit of flak for that (same sensor! no 4K60! no 10bit!), it did include some minor improvements over the Alpha 7 III that might actually be a major deal for some: a fully articulating screen, eye-tracking auto focus for video and unlimited recording. On the other hand, reviewers found that the in-body image stabilization via sensor shift (IBIS) was curiously worse than that of the A7 III.

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#29 Favorite field recorder apps on Android

27. July 202012. December 2021/FR/2 Comments

After starting to write a blog post about multi-track audio editing apps on Android, I figured it might be useful to do one on field recorder apps first as a precursor so to speak. I chose to use the term “field recorder” as opposed to “audio recorder” since there’s a whole bunch of multi-track audio editing apps that also record audio. And while I’m mostly concerned with mobile videography on this blog, I think it can’t hurt to take a look at audio for once, particularly since field recorder apps can also be used as independent audio recorders with a lavalier mic in a video production environment. I’ll have a look at six different apps of which each single one includes something interesting/useful. It will depend on your use case and personal taste which one qualifies as the best for you. Do note that most Android phones actually come with a native audio recording / voice memo app, some of which are quite good, but for the purpose of this article I will look at 3rd party apps only that are available for (almost) all Android devices. Well, with one exception…

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#28 Android 11 might be the most important update for mobile videography since Android 5

20. July 202012. December 2021/FR/1 Comment

One of the things more tech-savvy smartphone users often criticize about Google’s mobile operating system Android is the fact that new versions of the OS only roll out relatively slowly and to a somewhat limited number of (recent) devices, particularly when compared to new versions of Apple’s iOS for iPhones. There has been some progress (the current version Android 10 managed the fastest and widest roll-out of any Android version so far), but it’s still a long way to getting anywhere close to the swift and wide-spread roll-out of new iOS versions.

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#27 No, you don’t need a second video track for storytelling! (… and why it really doesn’t matter that much anymore)

25. June 202012. December 2021/FR/Leave a comment

As I pointed out in one of my very first blog posts here (in German), smartphone videography still comes with a whole bunch of limitations (although some of them are slowly but surely going away or have at least been mitigated). Yet one central aspect of the fascinating philosophy behind phoneography (that’s the term I now prefer for referring to content creation with smartphones in general) has always been one of “can do” instead of “can’t do” despite the shortcomings. The spirit of overcoming obvious obstacles, going the extra mile to get something done, trailblazing new forms of storytelling despite not having all the bells and whistles of a whole multi-device or multi-person production environment seems to be a key factor. With this in mind I always found it a bit irritating and slightly “treacherous” to this philosophy when people proclaimed that video editing apps without the ability to have a second video track in the editing timeline are not suitable for storytelling. “YOU HAVE TO HAVE A VIDEO EDITOR WITH AT LEAST TWO VIDEO TRACKS!” Bam! If you are just starting out creating your first videos you might easily be discouraged if you hear such a statement from a seasoned video producer. Now let me just make one thing clear before digging a little deeper: I’m not saying having two (or multiple) video tracks in a video editing app as opposed to just one isn’t useful. It most definitely is. It enables you to do things you can’t or can’t easily do otherwise. However, and I can’t stress this enough, it is by no means a prerequisite for phoneography storytelling – in my very humble opinion, that is.

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#26 Checking detailed properties of video clips on Android and iOS

16. June 202012. December 2021/FR/Leave a comment

Have you ever had sleepless nights wondering whether the video recording app you are using really shoots in the frame rate and bitrate that it says it does? What’s the codec of the video file that was just sent to me? And (how much) does my editing app of choice crunch the bitrate (“quality”) of the original clips when exporting the project? No? Good for you, you may skip this article! But since you are already here you might as well read it anyway! I’m going to look at three different apps, one Android-only, one iOS-only and one that is available for both Google’s and Apple’s mobile platform.

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#25 Transferring big (video) files wirelessly between Android and iOS with mobile apps

12. June 202012. December 2021/FR/1 Comment

One of the most fascinating and convenient things about a good modern smartphone is that it lets you do a whole video production workflow involving capturing, editing and publishing on a single device, thereby offering the opportunity to eliminate the tedious but usually mandatory process of having to transfer media files between several devices to get all this done. Depending on the situation however, there’s still a certain need for file transfer solutions. You might be shooting on a phone but want to edit on a tablet with a larger screen, someone else could be the one editing your captured footage or you want to receive footage from another person to incorporate into your phone edit. Of course, nowadays, we want everything to be wireless if possible.

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#24 Why Telegram is the best messenger app for sending video files

7. June 202012. December 2021/FR/Leave a comment

Ever since smartphones and mobile internet became a thing, messenger apps have grown immensely in popularity and significantly curbed other types of (digital) communication like SMS/texts, eMails and heck yes, phone calls, for most of us. There’s also little doubt about which messenger apps can usually be found on everyone’s phone: WhatsApp is by far the most popular app of its kind on a global scale with only Facebook Messenger being somewhat close in terms of users. Sure, if you look at certain regions/countries or age groups you will find other prominent messenger apps like WeChat in China, KakaoTalk in Korea, Viber in the Ukraine or Snapchat among the younger generation(s). We have also seen a noticeable rise in the popularity of security and data conscious alternatives like the Edward Snowden-recommended Signal or Switzerland-based Threema. One might say that right in between mass popularity and special focus groups sits Telegram.

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#23 A powerful new rival for Filmic Pro

12. May 202012. December 2021/FR/Leave a comment

Filmic Pro might be called the “Gold Standard” for highly advanced mobile video recording apps on both Android and iOS, it surely is the most popular and widely known one. Even Oscar-winning director Steven Soderbergh has used it to shoot two of his feature films. The fact that a powerful rival has just recently launched is bigger news for Android users though than for those on iOS. There are a couple of very capable alternatives to Filmic Pro on iOS including Mavis, MoviePro and Moment Pro Camera. While options are available on Android as well they are not as numerous and/or complete and for quite a few development has either ceased completely (Cinema FV-5 and recently Moment Pro Camera) or for the most part been reduced to bug fixes or minor compatibility adjustments (Cinema 4K, Lumio Cam, ProShot). There’s also the solid free Open Camera (plus a whole range of variants based on its open source code) and the pretty good Footej Camera 2 but none of them can really match Filmic Pro when it comes to usability and advanced features. That is until now.

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#22 Visualizing audio on Android – finally a very good app?

9. May 202012. December 2021/FR/1 Comment

While I’m personally not that much involved in the production of pure audio / radio content, I have noticed that there has been increasing demand for a way to make audio stand out more in social networks that primarily address the eye. There are some web tools like Headliner, Audiogram or Auphonic and the relatively popular iOS-only app Wizibel that basically take an audio file, generate a visual waveform animation based on it and create an mp4 video file as the end product which is easily shareable on Facebook, Twitter, Instagram etc. Usually you can also add a still image or text to spice it up. Some call this type of audio visualization an “audiogram” and I think it’s particularly useful for audio teasers (for a podcast for instance) or audio content that is only a couple of minutes long. There have been a few options on Android as well (ChkSnd, Audio Vision for Videomakers, Avee Music Player) but while they weren’t exactly bad, they all had some shortcomings. A couple of days ago however I stumbled upon a very promising app that’s relatively new (it was released November 2019): Visualization Video Maker.

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#21 What’s the best free cross-platform mobile video editing app?

22. April 202012. December 2021/FR/2 Comments

I’m a big fan of advanced mobile video editing apps like ‘KineMaster’ (Android & iOS) or ‘LumaFusion’ (iOS-only) and I’m very supportive of the idea that one should pay for such powerful media creation tools. However, there might be instances when it’s just not possible for one reason or another to do that. So I have always kept an eye on mobile video editing apps that tick all the following boxes: 1) they should be free to download and use 2) if there are different versions the free version should not include a watermark 3) they should be fairly advanced (for instance include the ability to have a second video track) and user-friendly 4) they should be cross-platform (Android and iOS) and 5) they should handle/export at least 1080p resolution with 25/30fps. I eventually ditched one other prerequisite: that you don’t have to create an account to use the app. To be honest, if you want an app that really ticks all the boxes, there isn’t much around. Actually up until recently I would have only been able to point to a single one: ‘VlogIt’. And even that could have been considered a cheat under strict circumstances because while VlogIt doesn’t have a watermark on the exported video, it has a branded bumper outro. I’m not too much a fan of the app’s UI though and its limited to a 16:9 project aspect ratio. Another theoretical contender was the relatively new ‘Adobe Premiere Rush’ but the availability for Android devices is still extremely limited and you only get three free exports before you have to commit to a paid subscription. So things were looking pretty sobering until last week-end.

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#20 Closing the Window of Opportunity – Farewell to Windows Phone

8. January 202012. December 2021/FR/2 Comments

My personal Windows Phone / Windows 10 Mobile device collection: Microsoft Lumia 550, Nokia Lumia 630, Nokia Lumia 920, Microsoft Lumia 950.

If you are reading this, there’s a chance you might at least have heard about a mobile operating system called Windows Phone even though you never came close to owning a device running it. But there’s also a chance you never knew such a thing existed so let me just very briefly recapitulate.

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#19 Stabilizing shaky video footage on your smartphone (incl. Update 2021)

5. October 201912. December 2021/FR/1 Comment

The fact that nowadays pretty much everyone owns a smartphone and shoots video with it has brought a gigantic wave of shaky handheld footage along. While some folks are actually allergic to any kind of shakiness in video, I personally think that depending on the amount and context it can work just fine – but definitely not all the time and under any circumstances. So there is a need to stabilize shaky handheld footage. Now the best thing to get smooth n’ stable footage is to avoid shakiness in the first place while shooting. While there are techniques for shooting (more) stable video handheld, the most common thing would be putting the phone on a tripod (using any kind of rig or clamp for mounting it). But maybe you want to move around a bit? More and more smartphones do have internal stabilization, be it on the hardware side with OIS (optical image stabilization) or on the software side with EIS (electronic image stabilzation). Over the last years there has also been a considerable and increasingly affordable influx of (motorized) gimbals that allow smooth camera movements. But let’s be honest: Unless you’re going to a planned shoot, you probably won’t carry around a tripod or gimbal (if you have one) – as compact as they have become over time, they are still too big and clunky to just put in your pocket. So it’s likely that you will find yourself in situations where you shoot video handheld and want to smooth out some distracting jitter afterwards. While most desktop video editing software has a built-in stabilizer function these days, things don’t look quite as bright on mobile but there are still a few (good) options.

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#18 The Xiaomi Pocophone F1 – THE best value videography smartphone?

19. June 201912. December 2021/FR/4 Comments

Do you remember OnePlus marketing its phone(s) as the „flagship killer“? A device with all the bells and whistles of a top-of-the-line smartphone but only about half the price? A device that would kill the demand for the very popular but also very expensive flagship phones of Apple, Samsung & Co.? Well, while OnePlus is still a very common name when it comes to getting the best phone bang for the buck, 2018 brought about a new kid on the block that some dared to call the „flagship killer killer“: The Pocophone F1. Wait, the what-phone? Yeah right, Pocophone! It’s actually not another whole new company venturing into the smartphone business but a sub-brand of Xiaomi, the Chinese company already well established in its home market but also slowly expanding around the globe. It’s basically what the Honor phones are for Huawei. The fact that recent phones from OnePlus couldn’t quite withstand the general price bump in the high-end segment kickstarted by Apple’s iPhone X in 2017 introduced an opportunity for someone else to cater to the crowd that wants great specs but isn’t willing to spend a fortune. Enter: the Pocophone F1. When it launched in August 2018 you did get a device with the year’s latest flagship chipset from Qualcomm, the Snapdragon 845, for a crazy low price of just over 300€, undercutting OnePlus (and everyone else’s flagships) by a significant margin. Does this mean the Pocophone F1 could be the new Holy Grail for great smartphone video production on a budget? After using it for a couple of months as a secondary device I would like to share some thoughts. Please note: I will look at this phone pretty much exclusively from the viewpoint of using it as a videography tool!

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#17 Using external microphones with Android devices when shooting video

28. March 201912. December 2021/FR/20 Comments

Before captioning videos for convenient social media consumption on the go became all the rage, everyone agreed that having good audio was an essential element of good video, possibly even more important than the image quality. Many will agree that it actually still is despite the captioning vogue of late. So how do you get good audio for video?

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smartfilming

Exploring the possibilities of video production with smartphones

Category: English

#36(0) The Insta360 One X2 – fun & frustration

#35 Using external microphones with iPhones when shooting video

#34 Apple is about to give us 25fps in the iPhone’s native camera app (finally catching up to Windows Phones)

#33 Auto-transcribe all your audio for free with Live Transcribe!

#32 Google Recorder 2.0 – A fantastic update for an already brilliant app!

#31 Could this be the future for video stabilization on smartphones?

#29 Favorite field recorder apps on Android

#27 No, you don’t need a second video track for storytelling! (… and why it really doesn’t matter that much anymore)

#26 Checking detailed properties of video clips on Android and iOS

#25 Transferring big (video) files wirelessly between Android and iOS with mobile apps

#23 A powerful new rival for Filmic Pro

#22 Visualizing audio on Android – finally a very good app?

#21 What’s the best free cross-platform mobile video editing app?

#20 Closing the Window of Opportunity – Farewell to Windows Phone

#19 Stabilizing shaky video footage on your smartphone (incl. Update 2021)

#18 The Xiaomi Pocophone F1 – THE best value videography smartphone?

#17 Using external microphones with Android devices when shooting video

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