There are times when – for reasons of privacy or even a person’s physical safety – you want to make certain parts of a frame in a video unrecognizable so not to give away someone’s identity or the place where you shot the video. While it’s fairly easy to achieve something like that for a photograph, it’s a lot more challenging for video because of two reasons: 1) You might have a person moving around within a shot or a moving camera which constantly alters the location of the subject within the frame. 2) If the person talks, he or she might also be identifiable just by his/her voice. So are there any apps that help you to anonymize persons or objects in videos when working on a smartphone?Read On
Ever since I started this blog, I wanted to write an article about my favorite video editing apps on Android but I could never decide on how to go about it, whether to write a separate in-depth article on each of them, a really long one on all of them or a more condensed one without too much detail or workflow explanations, more of an overview. So I recently figured there’s been enough pondering on this subject and I should just start writing something. The very basic common ground for all these mobile video editing apps mentioned here is that they allow you to combine multiple video clips into a timeline and arrange them in a desired order. Some might question the validity of editing video on such a relatively small screen as that of a smartphone (even though screen sizes have increased drastically over the last years). While it’s true that there definitely are limitations and I probably wouldn’t consider editing a feature-length movie that way, there’s also an undeniable fascination about the fact that it’s actually doable and can also be a lot of fun. I would even dare to say that it’s a charming throwback to the days before digital non-linear editing when the process of cutting and splicing actual film strips had a very tactile nature to it. But let’s get started…Read On
A couple of years ago, 360° (video) cameras burst onto the scene and seemed to be all the new rage for a while. The initial excitement faded relatively quickly however when producers realized that this kind of video didn’t really resonate as much as they thought it would with the public – at least in the form of immersive VR (Virtual Reality) content for which you need extra hardware, hardware that most didn’t bother to get or didn’t get hooked on. From a creator’s side, 360 video also involved some extra and – dare I say – fairly tedious workflow steps to deliver the final product (I have one word for you: stitching). That’s not to say that this extraordinary form of video doesn’t have value or vanished into total obscurity – it just didn’t become a mainstream trend.
Among the companies that heavily invested in 360 cameras was Shenzen-based Insta360. They offered a wide variety of different devices: Some standalone, some that were meant to be physically connected to smartphones. I actually got the Insta360 Air for Android devices and while it was not a bad product at all and fun for a short while, the process of connecting it to the USB port of the phone when using it but then taking it off again when putting the phone back in your pocket or using it for other things quickly sucked out the motivation to keep using it.Read On
I usually don’t follow the stats for my blog but when I recently did check on what articles have been the most popular so far, I noticed that a particular one stuck out by a large margin and that was the one on using external microphones with Android devices. So I thought if people seem to be interested in that, why not make an equivalent for iOS, that is for iPhones? So let’s jump right into it.Read On
One of the things that has mostly remained a blindspot in video recording with the native camera app of a smartphone, is the ability to shoot in PAL frame rates, i.e. 25/50fps. The native camera apps of smartphones usually record with a frame rate of 30/60 fps. This is fine for many use cases but it’s not ideal under two circumstances: a) if you have to deliver your video for traditional professional broadcast in a PAL broadcast standard region (Europe, Australia, parts of Africa, Asia, South America etc.) b) If you have a multi-camera shoot with dedicated ‘regular’ cameras that only shoot 25/50fps. Sure, it’s relatively easy to capture in 25fps on your phone by using a 3rd party app like Filmic Pro or Protake but it still would be a welcome addition to any native camera app as long as this silly global frame rate divide (don’t get me started on this!) continues to exist.Read On
While writing my last blog post about Google Recorder 2.0, I stumbled upon a hack that can also be utilized for another app from Google, one that currently understands over 70 languages, not only English: It’s called “Live Transcribe & Sound Notifications” and is available for pretty much every Android device. Have you always been looking for a tool that transcribes your audio recordings but doesn’t require an expensive subscription? Here’s what I like to think is a very useful and simple trick for achieving this on an Android phone. You will need the following things:
- Android device running at least Android 5.0 Lollipop (if your phone is less than 5 years old, you should be safe!)
- the app Live Transcribe & Sound Notifications by Google (free download on the Google Play Store)
- an internet connection (either mobile data or wifi)
- a quiet environment
Not too long ago, I wrote an article about my favorite audio recorder apps for Android. One of the apps I included was Google Recorder. Officially, the app is only available for Pixel phones but can be sideloaded to a range of other Android devices. Google Recorder has a unique place among audio recording apps because of one killer feature: it transcribes audio into text – offline and for free. This can be extremely useful for a lot of people, particularly journalists. With the launch of the new Pixel 5 / Pixel 4a 5G, Google has introduced version 2.0 of Recorder and it packs some really exciting new features and improvements!Read On
One of the things I really like about Apple’s ecosystem is the cross-platform integration of a functionality called “AirDrop” which lets you fast, wirelessly and offline transfer (big) files between Apple devices that are close to each other, be it Mac, iPhone or iPad. This is extremely helpful when transferring video files which as we all know can get pretty heavy these days, particularly if one records in UHD/4K. Shooting on an iPhone and then transferring the footage to an iPad for editing with a bigger screen is a pretty popular workflow. Android on the other hand had something called “WiFi Direct” relatively early in its career but it never got picked up consistently by phone makers which preferred to introduce their own proprietary file transfer solutions which of course only worked with phones/devices of the same brand. So for quite a while I resorted to third party apps like Feem and Send Anywhere that also worked cross-platform between mobile and desktop – Android, iOS, macOS and Windows. As for Android-to-Android device wireless file transfers, Google introduced an app called “Files Go” (today Files by Google) in late 2017 which was primarily a file explorer but also had the ability to share files offline to another device by creating a WiFi Direct connection. While the app ventured somewhat close towards becoming a system resource in that it came pre-installed on many new phones as part of Google’s app portfolio, it was hard to deny that Apple’s AirDrop was more easily accessible.
After starting to write a blog post about multi-track audio editing apps on Android, I figured it might be useful to do one on field recorder apps first as a precursor so to speak. I chose to use the term “field recorder” as opposed to “audio recorder” since there’s a whole bunch of multi-track audio editing apps that also record audio. And while I’m mostly concerned with mobile videography on this blog, I think it can’t hurt to take a look at audio for once, particularly since field recorder apps can also be used as independent audio recorders with a lavalier mic in a video production environment. I’ll have a look at six different apps of which each single one includes something interesting/useful. It will depend on your use case and personal taste which one qualifies as the best for you. Do note that most Android phones actually come with a native audio recording / voice memo app, some of which are quite good, but for the purpose of this article I will look at 3rd party apps only that are available for (almost) all Android devices. Well, with one exception…
As I pointed out in one of my very first blog posts here (in German), smartphone videography still comes with a whole bunch of limitations (although some of them are slowly but surely going away or have at least been mitigated). Yet one central aspect of the fascinating philosophy behind phoneography (that’s the term I now prefer for referring to content creation with smartphones in general) has always been one of “can do” instead of “can’t do” despite the shortcomings. The spirit of overcoming obvious obstacles, going the extra mile to get something done, trailblazing new forms of storytelling despite not having all the bells and whistles of a whole multi-device or multi-person production environment seems to be a key factor. With this in mind I always found it a bit irritating and slightly “treacherous” to this philosophy when people proclaimed that video editing apps without the ability to have a second video track in the editing timeline are not suitable for storytelling. “YOU HAVE TO HAVE A VIDEO EDITOR WITH AT LEAST TWO VIDEO TRACKS!” Bam! If you are just starting out creating your first videos you might easily be discouraged if you hear such a statement from a seasoned video producer. Now let me just make one thing clear before digging a little deeper: I’m not saying having two (or multiple) video tracks in a video editing app as opposed to just one isn’t useful. It most definitely is. It enables you to do things you can’t or can’t easily do otherwise. However, and I can’t stress this enough, it is by no means a prerequisite for phoneography storytelling – in my very humble opinion, that is.Read On
One of the most fascinating and convenient things about a good modern smartphone is that it lets you do a whole video production workflow involving capturing, editing and publishing on a single device, thereby offering the opportunity to eliminate the tedious but usually mandatory process of having to transfer media files between several devices to get all this done. Depending on the situation however, there’s still a certain need for file transfer solutions. You might be shooting on a phone but want to edit on a tablet with a larger screen, someone else could be the one editing your captured footage or you want to receive footage from another person to incorporate into your phone edit. Of course, nowadays, we want everything to be wireless if possible.Read On
Filmic Pro might be called the “Gold Standard” for highly advanced mobile video recording apps on both Android and iOS, it surely is the most popular and widely known one. Even Oscar-winning director Steven Soderbergh has used it to shoot two of his feature films. The fact that a powerful rival has just recently launched is bigger news for Android users though than for those on iOS. There are a couple of very capable alternatives to Filmic Pro on iOS including Mavis, MoviePro and Moment Pro Camera. While options are available on Android as well they are not as numerous and/or complete and for quite a few development has either ceased completely (Cinema FV-5 and recently Moment Pro Camera) or for the most part been reduced to bug fixes or minor compatibility adjustments (Cinema 4K, Lumio Cam, ProShot). There’s also the solid free Open Camera (plus a whole range of variants based on its open source code) and the pretty good Footej Camera 2 but none of them can really match Filmic Pro when it comes to usability and advanced features. That is until now.Read On
While I’m personally not that much involved in the production of pure audio / radio content, I have noticed that there has been increasing demand for a way to make audio stand out more in social networks that primarily address the eye. There are some web tools like Headliner, Audiogram or Auphonic and the relatively popular iOS-only app Wizibel that basically take an audio file, generate a visual waveform animation based on it and create an mp4 video file as the end product which is easily shareable on Facebook, Twitter, Instagram etc. Usually you can also add a still image or text to spice it up. Some call this type of audio visualization an “audiogram” and I think it’s particularly useful for audio teasers (for a podcast for instance) or audio content that is only a couple of minutes long. There have been a few options on Android as well (ChkSnd, Audio Vision for Videomakers, Avee Music Player) but while they weren’t exactly bad, they all had some shortcomings. A couple of days ago however I stumbled upon a very promising app that’s relatively new (it was released November 2019): Visualization Video Maker.Read On
I’m a big fan of advanced mobile video editing apps like ‘KineMaster’ (Android & iOS) or ‘LumaFusion’ (iOS-only) and I’m very supportive of the idea that one should pay for such powerful media creation tools. However, there might be instances when it’s just not possible for one reason or another to do that. So I have always kept an eye on mobile video editing apps that tick all the following boxes: 1) they should be free to download and use 2) if there are different versions the free version should not include a watermark 3) they should be fairly advanced (for instance include the ability to have a second video track) and user-friendly 4) they should be cross-platform (Android and iOS) and 5) they should handle/export at least 1080p resolution with 25/30fps. I eventually ditched one other prerequisite: that you don’t have to create an account to use the app. To be honest, if you want an app that really ticks all the boxes, there isn’t much around. Actually up until recently I would have only been able to point to a single one: ‘VlogIt’. And even that could have been considered a cheat under strict circumstances because while VlogIt doesn’t have a watermark on the exported video, it has a branded bumper outro. I’m not too much a fan of the app’s UI though and its limited to a 16:9 project aspect ratio. Another theoretical contender was the relatively new ‘Adobe Premiere Rush’ but the availability for Android devices is still extremely limited and you only get three free exports before you have to commit to a paid subscription. So things were looking pretty sobering until last week-end.
If you are reading this, there’s a chance you might at least have heard about a mobile operating system called Windows Phone even though you never came close to owning a device running it. But there’s also a chance you never knew such a thing existed so let me just very briefly recapitulate.
The fact that nowadays pretty much everyone owns a smartphone and shoots video with it has brought a gigantic wave of shaky handheld footage along. While some folks are actually allergic to any kind of shakiness in video, I personally think that depending on the amount and context it can work just fine – but definitely not all the time and under any circumstances. So there is a need to stabilize shaky handheld footage. Now the best thing to get smooth n’ stable footage is to avoid shakiness in the first place while shooting. While there are techniques for shooting (more) stable video handheld, the most common thing would be putting the phone on a tripod (using any kind of rig or clamp for mounting it). But maybe you want to move around a bit? More and more smartphones do have internal stabilization, be it on the hardware side with OIS (optical image stabilization) or on the software side with EIS (electronic image stabilzation). Over the last years there has also been a considerable and increasingly affordable influx of (motorized) gimbals that allow smooth camera movements. But let’s be honest: Unless you’re going to a planned shoot, you probably won’t carry around a tripod or gimbal (if you have one) – as compact as they have become over time, they are still too big and clunky to just put in your pocket. So it’s likely that you will find yourself in situations where you shoot video handheld and want to smooth out some distracting jitter afterwards. While most desktop video editing software has a built-in stabilizer function these days, things don’t look quite as bright on mobile but there are still a few (good) options.Read On