While Australian company Blackmagic Design (BMD) might best be known for its affordable cinema camera line-up (it all started with the Blackmagic Cinema Camera and Blackmagic Pocket Cinema Camera in 2012/13), they have also established a reputation in the realm of video post production. Their color grading software DaVinci Resolve (available for both Windows and MacOS) can be considered a veritable industry standard used by professionals all over the world.READ MORE
Last year, I hosted for the first time an article on this blog that wasn’t written by myself but by BBC Academy mobile journalism (“MoJo”) trainer Marc Blank-Settle whom I have met on several occassions and keep constantly in touch with via Twitter. His yearly insights into every new iteration of Apple’s mobile operating system iOS from a journalist’s point of view have become a much respected staple of the community so it’s no surprise he’s done it again for iOS 16. If you are an iPhone user, you should definitely dig into this and don’t forget to follow Marc on Twitter for the latest updates or to ask him a question. I’m also using this opportunity to apologize for my own relative silence on this blog in the last months but life’s been extremely busy. Hopefully the near future will allow me again to post more content here. But for today, I’m handing things over to Marc Blank-Settle. – Florian from smartfilming.blogREAD MORE
So far, all the blog posts on smartfilming.blog were written by myself. I’m happy that for the very first time I’m now hosting a guest post here. The article is by Marc Blank-Settle who works for the BBC Academy as a smartphone trainer and is highly regarded as one of the top sources for everything “MoJo” (mobile journalism), particularly when it comes to iPhones and iOS. His yearly round-up of all the new features introduced with the latest version of Apple’s mobile opearting system iOS has become a go-to for journalists and content creators. iOS 15 just came out, so without further ado, I’ll leave you to Marc’s take on the new software for iPhones and don’t forget to follow him on Twitter! – Florian – smartfilming.blogRead on
Let’s be honest: Despite the fact that phone screens have become increasingly bigger over the last years, they are still rather small for doing some serious video editing on the go. No doubt, you CAN do video editing on your phone and achieve great results, particularly if you are using an app with a touch-friendly UI like KineMaster that was brilliantly designed for phone screens. But I’m confident just about every mobile veditor would appreciate some more screen real estate. Sure, you can use a tablet for editing but tablets aren’t great devices for shooting and if you want to do everything on one device pretty much everyone would choose a phone, right?Read On
I usually don’t follow the stats for my blog but when I recently did check on what articles have been the most popular so far, I noticed that a particular one stuck out by a large margin and that was the one on using external microphones with Android devices. So I thought if people seem to be interested in that, why not make an equivalent for iOS, that is for iPhones? So let’s jump right into it.Read On
After starting to write a blog post about multi-track audio editing apps on Android, I figured it might be useful to do one on field recorder apps first as a precursor so to speak. I chose to use the term “field recorder” as opposed to “audio recorder” since there’s a whole bunch of multi-track audio editing apps that also record audio. And while I’m mostly concerned with mobile videography on this blog, I think it can’t hurt to take a look at audio for once, particularly since field recorder apps can also be used as independent audio recorders with a lavalier mic in a video production environment. I’ll have a look at six different apps of which each single one includes something interesting/useful. It will depend on your use case and personal taste which one qualifies as the best for you. Do note that most Android phones actually come with a native audio recording / voice memo app, some of which are quite good, but for the purpose of this article I will look at 3rd party apps only that are available for (almost) all Android devices. Well, with one exception…
#27 No, you don’t need a second video track for storytelling! (… and why it really doesn’t matter that much anymore)
As I pointed out in one of my very first blog posts here (in German), smartphone videography still comes with a whole bunch of limitations (although some of them are slowly but surely going away or have at least been mitigated). Yet one central aspect of the fascinating philosophy behind phoneography (that’s the term I now prefer for referring to content creation with smartphones in general) has always been one of “can do” instead of “can’t do” despite the shortcomings. The spirit of overcoming obvious obstacles, going the extra mile to get something done, trailblazing new forms of storytelling despite not having all the bells and whistles of a whole multi-device or multi-person production environment seems to be a key factor. With this in mind I always found it a bit irritating and slightly “treacherous” to this philosophy when people proclaimed that video editing apps without the ability to have a second video track in the editing timeline are not suitable for storytelling. “YOU HAVE TO HAVE A VIDEO EDITOR WITH AT LEAST TWO VIDEO TRACKS!” Bam! If you are just starting out creating your first videos you might easily be discouraged if you hear such a statement from a seasoned video producer. Now let me just make one thing clear before digging a little deeper: I’m not saying having two (or multiple) video tracks in a video editing app as opposed to just one isn’t useful. It most definitely is. It enables you to do things you can’t or can’t easily do otherwise. However, and I can’t stress this enough, it is by no means a prerequisite for phoneography storytelling – in my very humble opinion, that is.Read On
Filmic Pro might be called the “Gold Standard” for highly advanced mobile video recording apps on both Android and iOS, it surely is the most popular and widely known one. Even Oscar-winning director Steven Soderbergh has used it to shoot two of his feature films. The fact that a powerful rival has just recently launched is bigger news for Android users though than for those on iOS. There are a couple of very capable alternatives to Filmic Pro on iOS including Mavis, MoviePro and Moment Pro Camera. While options are available on Android as well they are not as numerous and/or complete and for quite a few development has either ceased completely (Cinema FV-5 and recently Moment Pro Camera) or for the most part been reduced to bug fixes or minor compatibility adjustments (Cinema 4K, Lumio Cam, ProShot). There’s also the solid free Open Camera (plus a whole range of variants based on its open source code) and the pretty good Footej Camera 2 but none of them can really match Filmic Pro when it comes to usability and advanced features. That is until now.Read On
While I’m personally not that much involved in the production of pure audio / radio content, I have noticed that there has been increasing demand for a way to make audio stand out more in social networks that primarily address the eye. There are some web tools like Headliner, Audiogram or Auphonic and the relatively popular iOS-only app Wizibel that basically take an audio file, generate a visual waveform animation based on it and create an mp4 video file as the end product which is easily shareable on Facebook, Twitter, Instagram etc. Usually you can also add a still image or text to spice it up. Some call this type of audio visualization an “audiogram” and I think it’s particularly useful for audio teasers (for a podcast for instance) or audio content that is only a couple of minutes long. There have been a few options on Android as well (ChkSnd, Audio Vision for Videomakers, Avee Music Player) but while they weren’t exactly bad, they all had some shortcomings. A couple of days ago however I stumbled upon a very promising app that’s relatively new (it was released November 2019): Visualization Video Maker.Read On
I’m a big fan of advanced mobile video editing apps like ‘KineMaster’ (Android & iOS) or ‘LumaFusion’ (iOS-only) and I’m very supportive of the idea that one should pay for such powerful media creation tools. However, there might be instances when it’s just not possible for one reason or another to do that. So I have always kept an eye on mobile video editing apps that tick all the following boxes: 1) they should be free to download and use 2) if there are different versions the free version should not include a watermark 3) they should be fairly advanced (for instance include the ability to have a second video track) and user-friendly 4) they should be cross-platform (Android and iOS) and 5) they should handle/export at least 1080p resolution with 25/30fps. I eventually ditched one other prerequisite: that you don’t have to create an account to use the app. To be honest, if you want an app that really ticks all the boxes, there isn’t much around. Actually up until recently I would have only been able to point to a single one: ‘VlogIt’. And even that could have been considered a cheat under strict circumstances because while VlogIt doesn’t have a watermark on the exported video, it has a branded bumper outro. I’m not too much a fan of the app’s UI though and its limited to a 16:9 project aspect ratio. Another theoretical contender was the relatively new ‘Adobe Premiere Rush’ but the availability for Android devices is still extremely limited and you only get three free exports before you have to commit to a paid subscription. So things were looking pretty sobering until last week-end.
If you are reading this, there’s a chance you might at least have heard about a mobile operating system called Windows Phone even though you never came close to owning a device running it. But there’s also a chance you never knew such a thing existed so let me just very briefly recapitulate.
The fact that nowadays pretty much everyone owns a smartphone and shoots video with it has brought a gigantic wave of shaky handheld footage along. While some folks are actually allergic to any kind of shakiness in video, I personally think that depending on the amount and context it can work just fine – but definitely not all the time and under any circumstances. So there is a need to stabilize shaky handheld footage. Now the best thing to get smooth n’ stable footage is to avoid shakiness in the first place while shooting. While there are techniques for shooting (more) stable video handheld, the most common thing would be putting the phone on a tripod (using any kind of rig or clamp for mounting it). But maybe you want to move around a bit? More and more smartphones do have internal stabilization, be it on the hardware side with OIS (optical image stabilization) or on the software side with EIS (electronic image stabilzation). Over the last years there has also been a considerable and increasingly affordable influx of (motorized) gimbals that allow smooth camera movements. But let’s be honest: Unless you’re going to a planned shoot, you probably won’t carry around a tripod or gimbal (if you have one) – as compact as they have become over time, they are still too big and clunky to just put in your pocket. So it’s likely that you will find yourself in situations where you shoot video handheld and want to smooth out some distracting jitter afterwards. While most desktop video editing software has a built-in stabilizer function these days, things don’t look quite as bright on mobile but there are still a few (good) options.Read On
Do you remember OnePlus marketing its phone(s) as the „flagship killer“? A device with all the bells and whistles of a top-of-the-line smartphone but only about half the price? A device that would kill the demand for the very popular but also very expensive flagship phones of Apple, Samsung & Co.? Well, while OnePlus is still a very common name when it comes to getting the best phone bang for the buck, 2018 brought about a new kid on the block that some dared to call the „flagship killer killer“: The Pocophone F1. Wait, the what-phone? Yeah right, Pocophone! It’s actually not another whole new company venturing into the smartphone business but a sub-brand of Xiaomi, the Chinese company already well established in its home market but also slowly expanding around the globe. It’s basically what the Honor phones are for Huawei. The fact that recent phones from OnePlus couldn’t quite withstand the general price bump in the high-end segment kickstarted by Apple’s iPhone X in 2017 introduced an opportunity for someone else to cater to the crowd that wants great specs but isn’t willing to spend a fortune. Enter: the Pocophone F1. When it launched in August 2018 you did get a device with the year’s latest flagship chipset from Qualcomm, the Snapdragon 845, for a crazy low price of just over 300€, undercutting OnePlus (and everyone else’s flagships) by a significant margin. Does this mean the Pocophone F1 could be the new Holy Grail for great smartphone video production on a budget? After using it for a couple of months as a secondary device I would like to share some thoughts. Please note: I will look at this phone pretty much exclusively from the viewpoint of using it as a videography tool!
Before captioning videos for convenient social media consumption on the go became all the rage, everyone agreed that having good audio was an essential element of good video, possibly even more important than the image quality. Many will agree that it actually still is despite the captioning vogue of late. So how do you get good audio for video?Read On
A little more than six months ago I bid my LG V10 goodbye into retirement. The V10 was the first flagship smartphone I had purchased and I had done so for a very specific reason: LG had redefined what a stock/native camera app on a smartphone can offer in terms of pro video controls. While many other phone makers were including advanced manual controls for photography in their camera apps, video had been shamelessly ignored. With the introduction of the V-series in late 2015, LG offered avid smartphone videographers a feature pack in the native camera app that could otherwise only be found in dedicated 3rd party apps like FilmicPro. While LG’s smartphone sales can’t really compete with the ones from Samsung, Huawei and such, the V-series fortunately didn’t just vanish after the V10 but was succeeded by the V20, V30, V35 and V40 henceforth. As I don’t see the need to upgrade my phone on an annual basis, I went for the V30. It took over the useful dual rear cameras from the V20 and newly introduced features like LOG profile, Point Zoom and CineVideo. After spending six months with the V30, what is there to say about the device as a videography tool?
Back in February I published a list with a wide selection of (potentially) useful Android apps for media production. Despite the fact that I mostly write for this blog in English now, the list was published in its German version first. I did promise an English version however and I’ve been working on it ever since. The new English version is not just a translation, it’s actually an update with some apps having been kicked out and others added.
When using a headline like the one above, camera people usually refer to the idea that you should already think about the editing when shooting. This basically means two things: a) make sure you get a variety of different shots (wide shot, close-up, medium, special angle etc) that will allow you to tell a visually interesting story but b) don’t overshoot – don’t take 20 different takes of a shot or record a gazillion hours of footage because it will cost you valuable time to sift through all that footage afterwards. That’s all good advice but in this article I’m actually talking about something different, I’m talking about a way to create a video story with different shots while only using the camera app – no editing software! In a way, this is rather trivial but I’m always surprised how many people don’t know about it as this can be extremely helpful when things need to go super-fast. And let’s be honest, from mobile journalists to social media content producers, there’s an increasing number of jobs and situations to which this applies…
Xiaomi has been a really big name in China’s smartphone market for years, promising high-end specs and good build quality for a budget price tag – but only at the end of last year did they officially enter the global scene with the Mi A1. The Mi A1 is basically a revamped Mi 5X running stock Android software instead of Xiaomi’s custom Mi UI. It’s also part of Google’s Android One program which means it runs a ‚clean‘ Google version of Android that gets quicker and more frequent updates directly from Google. For a very budget-friendly 180€ (current online price in Europe) you get a slick looking phone with dual rear cameras, featuring a 2x optical zoom telephoto lens alongside the primary camera. Sounds like an incredible deal? Here are some thoughts about the Mi A1 regarding its use as a tool for media production, specifically video.
2017 marked the return of one of THE big pioneers in the history of mobile phones to the smartphone market: Nokia. It’s not really the same company from the days of feature and Windows phones anymore (a company named HMD Global has licensed the brand name for their phones) but that doesn’t mean we should just ignore it. After launching a bunch of affordable entry-level and lower end mid-range devices (Nokia 3, 5 & 6), the Nokia 8 was the first quasi-flagship phone following the brand’s reboot.Read On
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